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Through a Glass Darkly: Images of
Race, Region, and Reform is an online exhibition documenting
conflicting representations of African-Americans, white Southerners, and reformers
during and and immediately after the Civil War. In particular, it looks at the stereotypes popularized in the northern press, and the ways that these depictions were countered--or in some cases, reinforced--in the letters written for northern readers by freedmen's teachers and freedmen themselves.
Many of the northern volunteers who set
up schools for former slaves during the Civil War had
little or no previous acquaintance with African-Americans
or white Southerners. Strangers in a strange-seeming land,
the teachers wrote letters describing their encounters
with these unfamiliar peoples. Sometimes these accounts
reinforced common stereotypes; other times they undermined
prevailing myths.
Students of the freedmen's schools also used their writing to offer sketches of Southerners and African-Americans, sometimes describing the harsh treatment slaves had received at the hands of owners, and at other times providing illustrations of their own zeal for learning and ambitions for the future.
During
the same period, depictions of African-Americans and Southerners
frequently appeared in northern publications such as the
New-York Illustrated News, Harper's Weekly,
and Frank Leslie's Illustrated Newspaper. However,
no single way of representing these groups prevailed.
Instead, conflicting stereotypes were often employed on
the same page.
Celebrated in both the northern press and
the letters of the freedmen, freedmen's teachers were
portrayed as reformers providing instruction in all "the
arts of civilized life." But with the end of the
war came a debate in the north about whether teachers
should change their focus to include southern whites,
and about whether the freedmen should be left alone to
help themselves.
This site uses the letters written by freedmen
and their teachers, articles and illustrations from northern
periodicals, and other primary resources drawn from the
collections of the American Antiquarian Society to invite
users to explore the shifting and contradictory images
of race, region, and reform disseminated in the North
between 1861 and 1871.
"For now we see through a glass, darkly;
but then face to face."--Paul, 13.12 |
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THE FREEDMEN |
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FREEDMEN'S TEACHERS |
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It also offers a profile of freed  men's teachers Lucy and Sarah Chase, who grew up as part of
a Quaker family deeply involved in reform movements. When
the Civil War began, the sisters joined the New England
Educational Association and traveled throughout the South
founding and supervising schools. After
the war, the two women continued to promote education
and other reform efforts. |
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The American Antiquarian Society (AAS) is both a learned society
and national research library of pre-twentieth century American
history and culture. Our mission is more
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The letters
written by freedmen's teachers Lucy and Sarah Chase, Sarah
Briggs' Smith, and Gertrude Allen can be found at the
American Antiquarian Society, along with a small collection of letters written by their students, and the published the reports of their sponsors, the New England Educational Association and the American Union Commission. Transcriptions of many of these documents can be found on this site.

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| DOCUMENT INDEX |
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GRAPHICS INDEX |
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The graphics index offers
a linked list of all the images in the site. In addition to
graphics from popular periodicals of the period, such as Harper's
Weekly and Frank Leslie's Illustrated Newspaper, the site offers images from the extensive collections of graphics--including
lithographs, Civil War cartoons, and Civil war envelopes--at
the American Antiquarian Society.


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SEARCHING
You can search
the online catalogue to find items in the AAS collections
or use the box at the bottom of each page to search for
items in this exhibit.
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Note:
This site is intended to promote investigation
of the cultural conversation that took place in the United
States on race, region, and reform during and immediately
after the Civil War. In order to provide a historically
accurate account of that period, it has been necessary
to include examples of offensive language and images. |
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